The Crime Fiction Alphabet meme is rolling along and we are up to the Letter "J". Kerrie over at Mysteries in Paradise is keeping us all in line. My contribution for this week is the author:
James Hadley Chase (1906 to1985)
Mr Chase was born René Lodge Brabazon Raymond in London England on December 24th, 1906, he would move to France in 1956 and eventually resided in Switzerland. Chase died on February 6th 1985. He is one of the best known thriller writers of all time.
The rise of the gangster culture during the Great Depression
of the United States provided a big demand for gangster stories. Chase read James
Cain’s The Postman Always Rings Twice and
read about Ma Barker, using an American slang dictionary and maps of the
U.S underworld, he then wrote his first No
Orchids for Miss Blandish in his spare time. All of his novels were so fast-paced that the
reader was compelled to turn the pages in a nonstop effort to reach the end of
the book. The final page often produced a totally unexpected plot twist variably
Early books did contain some violence that matched the era in which they were
written, though this was considerably toned down as plots centered more on
circumstantial situations to create the high degree of tension that was the
hallmark of his writing. Sex was never explicit and, though often hinted at,
seldom happened. In several of his stories, the protagonist tries to get rich
by committing a crime, either by insurance fraud or a theft. But the scheme
invariably fails and leads to a murder in which the hero realizes that he never
had a chance to keep out of trouble. Women are often beautiful, clever, and
treacherous. They kill unhesitatingly if they have to cover a criminal act. His plots typically centered around dysfunctional
families, and the final denouement echoes the title. Chase's best market was
France. In France more than thirty books were made into movies, and all of his
ninety titles were published by Gallimard in their Série noire series. He was
also very popular in other European markets, as well as Africa and Asia.
However, his books failed to take hold in the American market partially due to
the fact that the descriptive details did not seem convincing to American
readers. This, together with their misogynist attitude, turned off the female
market.
Various Covers
The Titles
Year published |
Title | Central character(s) |
---|---|---|
1939 | No Orchids for Miss Blandish also The Villain and the Virgin |
Dave Fenner Slim Grisson |
1941 | The Dead Stay Dumb | Chet Sladen |
1941 | Twelve Chinks and a Woman also Twelve Chinamen and a Woman also The Doll's Bad News |
Dave Fenner Glorie Leadler |
1941 | Miss Callaghan Comes to Grief | Jay Ellinger Raven |
1942 | Get a Load of This (short story collection) | |
1944 | Miss Shumway Waves a Wand | Ross Millan Myra Shumway |
1945 | Eve | Clive Thurston Eve |
1946 | I'll Get You for This | Chester Cain |
1947 | Last Page (play) | |
1948 | The Flesh of the Orchid | Carol Blandish The Sullivan Brothers |
1949 | You Never Know with Women | Floyd Jackson |
1949 | You're Lonely When You're Dead | Vic Malloy Paula Bensinger Jack Kerman |
1950 | Figure It Out for Yourself also The Marijuana Mob |
Vic Malloy Paula Bensinger Jack Kerman |
1950 | Lay Her Among the Lillies | Vic Malloy Paula Bensinger Jack Kerman |
1951 | Strictly for Cash | Johnny Farrar |
1952 | The Fast Buck | Verne Baird Rico |
1952 | The Double Shuffle | Steve Harmas |
1953 | I'll Bury My Dead | Nick English |
1953 | This Way for a Shroud | Paul Conard Vito Ferrari |
1954 | Tiger By the Tail | Ken Holland |
1954 | Safer Dead | Chet Sladen |
1955 | You've Got It Coming | Harry Griffin |
1956 | There's Always a Price Tag | Steve Harmas, Glyn Nash |
1957 | The Guilty Are Afraid | Lew Brandon |
1958 | Not Safe to Be Free also The Case Of The Strangled Starlet |
Jay Delaney |
1959 | Shock Treatment | Steve Harmas, Terry Regan |
1959 | The World in My Pocket | Morgan |
1960 | What's Better Than Money | Jefferson Halliday |
1960 | Come Easy - Go Easy | Chet Carson |
1961 | A Lotus for Miss Quon | Steve Jaffe |
1961 | Just Another Sucker | Harry Barber, John Renick |
1962 | I Would Rather Stay Poor | Dave Calvin |
1962 | A Coffin from Hong Kong | Nelson Ryan |
1963 | One Bright Summer Morning | |
1963 | Tell It to the Birds | Steve Harmas, John Anson |
1964 | The Soft Centre | Frank Terrell Valiere Burnette |
1965 | This Is for Real | Mark Girland |
1965 | The Way the Cookie Crumbles | Frank Terrell |
1966 | You Have Yourself a Deal | Mark Girland |
1966 | Padillo's Play | McCorkle Padillo |
1966 | Cade | Val Cade |
1967 | Have This One on Me | Mark Girland |
1967 | Well Now - My Pretty | Frank Terrell |
1968 | An Ear to the Ground | Steve Harmas, Al Barney |
1968 | Believed Violent | Frank Terrell, Jay Delaney |
1969 | The Whiff of Money | Mark Girland |
1969 | The Vulture Is a Patient Bird | Max Kahlenberg |
1970 | Like a Hole in the Head | Jay Benson |
1970 | There's a Hippie on the Highway | Frank Terrell, Harry Mitchell |
1971 | Want to Stay Alive? | Poke Toholo |
1971 | An Ace Up My Sleeve | Helga Rolfe |
1972 | Just a Matter of Time | Chris Patterson Sheila Oldhill Miss Morely-Johnson |
1972 | You're Dead Without Money | Al Barney |
1973 | Have a Change of Scene | Larry Carr |
1973 | Knock, Knock! Who's There? | Johnny Bianda |
1974 | So What Happens To Me? | Jack Crane |
1974 | Goldfish Have No Hiding Place | Steve Manson |
1975 | Believe This - You'll Believe Anything | Clay Burden |
1975 | The Joker in the Pack | Helga Rolfe |
1976 | Do Me a Favour, Drop Dead | Keith Devery |
1977 | My Laugh Comes Last | Larry Lucas |
1977 | I Hold the Four Aces | Helga Rolfe |
1978 | Consider Yourself Dead | Mike Frost |
1979 | You Must Be Kidding | Ken Holland Paradise City Police Force |
1979 | A Can of Worms | Bart Anderson |
1980 | You Can Say That Again | Jerry Stevens |
1980 | Try This One for Size | Paradise City Police Force |
1981 | Hand Me a Fig Leaf | Dirk Wallace |
1982 | Have a Nice Night | |
1982 | We'll Share a Double Funeral | Perry Weston Chet Logan |
1983 | Not My Thing | Ernie Kling |
1984 | Hit Them Where It Hurts | Dirk Wallace |
.
Thanks for visiting.
Thanks for visiting.
First I have to tell you how much I love your site. I collect some vintage paperbacks also but nowhere near as many as you have. I haven't had time to look at everything here yet, so each time I come back I check more out.
ReplyDeleteI have heard of James Hadley Chase but did not know much about him. I enjoyed this post.
Sex sells. It's so funny to see those covers. They don't even seem to resemble what the book is about. Thanks for the reviews.
ReplyDeleteScott - Chase was such a great pulp/noir/hardboiled author! Thanks for reminding me of that niche he filled. And I agree with Tracy - Great vintage covers here!
ReplyDeleteWhat an impressive list! Love the old vintage covers, Scott. Great post.
ReplyDeleteGet rich by committing a crime? haha...ops! no, just want to quote it...this get rich stuff is really driving me on becoming workaholic! I even have found this one http://www.get-paid.com/how-to-get-rich/
ReplyDeleteThanks for the visit and the comments.
ReplyDeleteGreta choice - haven't thought of Chase in ages. When I was growing upo in the 70s the slightly salacious covers of the Corgi editions seemed to be omnipresent (very similar to the Bond covers actually). Chase famously plagiarised Cain and Chandler, more than once and had to make restitution in fact, though whatever name he published onder (he also write a fair few as "Raymond Marshall') he was always a competent craftsman.
ReplyDeleteI don't think that the accusations of misogyny are accurate, or the related inference that the books didn't appeal to women readers. Chase's main strength as a writer was in capturing your attention from the first page and then keeping you reading.
ReplyDelete